A. Unnatural forces overwhelming human endeavor
B. The rupture of the everyday by acts of violence
C. The destruction of humanity through scientific experimentation
D. The return of the past to the present
A. Vaulted ceilings
B. The Middle Ages
C. Complicated floor plans
D. Neo-classicism
A. The focus on the middle and working classes
B. The consideration of the sensibilities of the protagonists
C. Plots taken from everyday life
D. The exploration of cultural taboos
A. Dracula as foreign invader
B. Dracula as sexual predator
C. Dracula as usurper of the British class system
D. Dracula as transgressor of God’s order
A. Cousin Henry and Julia
B. Reading
C. Writing
D. John
A. As a commentary on Victorian England
B. As an apolitical horror story
C. As a novel ghostwritten by Perce Shelley
D. As an exploration on the effects of science on humanity
A. The American Revolution
B. The French Revolution
C. The Battle of Waterloo
D. The Industrial Revolution
A. Satire
B. First-person narration
C. Realism
D. The uncanny doubling of characters
A. It leads the reader to overlook the beauty of nature.
B. It reminds readers of their civic duties.
C. It causes an experience of elestasis, or transport.
D. It creates a sense of contentment.
A. The excessive violence found in the Gothic novel
B. The barbarians that populate the Gothic novel
C. The use of the word in the subtitle of Walpole’s novel
D. The style of architecture found in the Gothic novel